Strangers: (Sawyer Hartman, 2013)
Context Analysis:
Duration of Shot
|
Camera Distance, angle, movement
|
Mise-en-scene
|
Sound
|
|
1.
|
30 seconds
|
Black screen
Title Sequence |
Iconography of blood red text.
|
Deep voiceover, non-diegetic.
Harsh drone as undertone and sound bridge. |
2.
|
7 seconds
|
Close up.
Over the shoulder. Handy cam. Pull focus |
Dark lighting, highlighted red.
|
Drone continues, getting more prominent and higher in pitch.
|
3.
|
14 seconds
|
Mid Shot.
Low Angle.
Below eyeline.
Pan left to other character.
|
Red lighting illuminates face.
Tears on women signal something is wrong.
|
Drone continues but gets softer.
|
4.
|
5 seconds
|
Mid Shot.
Low angle. |
Dark lighting.
Red traffic light evokes a warning.
|
Drone continues playing, and background sound of characters is muted.
|
5.
|
5 seconds
|
Establishing Shot.
Eyeline level.
Steady cam.
|
Single car (none else around)
Quiet
|
Drone continues.
|
6.
|
8 seconds
|
Close up.
Handy cam.
Pan left.
|
Silence with car stereo.
|
Car stereo is turned on and underlying diegetic background music is
introduced into a sound mix.
|
7.
|
3 seconds
|
Shot 5 repeated
|
Car stereo music plays
|
|
8.
|
4 seconds
|
Extreme Close Up
Eyeline level
Handy cam |
Lighting from traffic light reflects on man’s head.
|
Diegetic voice on radio speaks, drone cuts out.
|
9.
|
7 seconds
|
Close up.
High Angle.
Reaction shot.
Handy Cam. |
Green traffic light also reflects on woman’s face.
|
Diegetic voice of radio continues.
|
10.
|
10 seconds
|
Shot 5 repeated but car now takes off instead of standing still.
|
Music from radio becomes non diegetic as the angle moves to outside
the car.
|
|
11.
|
4 seconds
|
Long shot.
Pan up.
Steady cam.
|
Driving through the dark, through a wooded area where nobody else is
around.
|
Non diegetic background music becomes louder in volume.
Sound of car tyres driving along road is heard and creates a sound mix. |
12.
|
10 seconds
|
Long shot.
Pan left. Pull unfocus.
Steady cam.
|
Shot through trees.
|
Music continues
|
13.
|
6 seconds
|
Mid shot.
Pan up.
Handy cam.
|
Gated house shows a sense of protection that could be broken.
|
|
14.
|
2 seconds
|
Close up
Steady Cam
High Angle
|
Seatbelt being removed could be shown as a metaphor for a sense of
protection now being removed.
|
Diegetic sound of a seatbelt being undone is heard.
|
14.
|
11 seconds
|
Pan shot
High angle |
Props: Rubbish on floor and mask puts audience on edge.
|
Background music cuts out and silence appears with only the rattle of
the man picking up rubbish to be heard with a few crickets in the background.
|
15.
|
3 seconds
|
Close up
Steady cam
High Angle
|
Iconography of mask to cover face connotes something is out of place.
|
Slow drone picks up as non-diegetic sound.
|
16.
|
6 seconds
|
Close up
High Angle Handy cam |
Mask is shown then rubbish is placed over the top signalling the man
hasn’t noticed it. This creates dramatic ironic as the audience notices it
but the character doesn’t.
|
Non-diegetic drone gets louder as man picks up the mask, this builds
tension.
|
17.
|
4 seconds
|
Mid Shot
Eyeline level
Steady cam
Reaction shot
Shot reverse shot
|
Quiet non diegetic background noise can be heard.
|
|
18.
|
2 seconds
|
Shot 16 repeated
|
||
19.
|
4 seconds
|
Close up
Worms Eye View |
Camera being placed in the bin and lid being shut over it creates a
POV shot which is iconic in horror as it is usually the perspective of the antagonist;
however this shot almost conforms to this as it is from the view of where the
mask is.
|
Drone and sound of crickets continues. Diegetic sound of bin lid
being placed on creates a sound mix.
|
20.
|
2 seconds
|
Black Screen
|
Creates a pause between scenes
|
Drone increases in volume
|
21.
|
8 seconds
|
Handy Cam
Low angle.
Midshot
Pan up to woman as man walks forward.
|
Man opening a door is then revealed through black screen being
removed.
Lighting becomes slightly brighter as characters enter the house.
Desaturated filter becomes apparent as the shot Is no longer in the
dark.
|
Diegetic sound of door opening and footsteps as characters enter the
house.
|
22.
|
9 seconds.
|
POV shot
Handy Cam
Low angle
Long Shot |
Camera filming from behind bushes. The woman’s outfit can now be
seen; she is wearing a tight dress which sexualises her and labels her as a
vulnerable, young woman as she has also been crying.
|
A higher pitch, instrumental sound plays over the drone to evoke
panic in the audience knowing someone is watching the characters.
|
Strangers • A Horror Film by Sawyer Hartman (mp4 1080p) from sawyer hartman on Vimeo.
You've put a lot of detail into this post and it's really effective. To improve you could have maybe added in about how you will use this research in our production.
ReplyDelete